Nik Vlasovs
← Selected work

Race to Refresh

Windows 10 support is ending. Sales teams needed a reason that sticks, and they needed it fast. So the argument was handed to a car.

Client

Dell, with Microsoft

My role

Design, artwork and localisation artwork

Format

One film, 2 minutes 31, with McLaren footage

Languages

Four

The Race to Refresh title card: an aerial shot looking straight down at a white car on a road cutting through dense forest, with the title set over it beside a tall white bar
Title card · the film opens overhead, on an open road

01

The problem

A deadline is not an argument

Windows 10 support is ending. That is a fact with a date attached, and on its own it persuades nobody.

End of support is an IT phrase. Nobody outside IT feels it, and the people signing off a fleet refresh are almost never in IT.

02

The solution

Everybody already understands an old car

The film opens on a car rather than a computer. One that was best in class when you bought it, and is now reaching the end of its support: no updates, no parts, no servicing.

The new car is sleek, faster and fully supported. That is Windows 11. Dell and McLaren already share a partnership, so it could be shot with real cars rather than stock.

Three stacked frames of a white McLaren at speed: a front wheel and headlamp, a blurred pan along the flank, and the rear haunch and air intake, with the subtitle reading and more secure
The car is never shown whole · details, at speed, cut tight

The car is almost never seen whole. A headlamp, a wheel arch, a seatbelt latch. Keeping it in fragments stops the film becoming a car advert.

Why it holds: it maps one to one. End of support to no parts or servicing, security to the key and the immobiliser, performance to the engine. Most metaphors fall apart by the third point.

03

The film

Two and a half minutes, one idea

Sound on. The voiceover carries the argument and the cut carries the metaphor, so the two are doing different jobs rather than describing each other.

Race to Refresh · 2:31, English master

04

The substitution

Every claim gets a physical object

No benefit is stated without something you can touch beside it. Security is not a shield icon, it is a seatbelt latching and a start button lighting up.

  • Close on a finger pressing an engine start-stop button glowing red beside an airbag cover, subtitled to a high-tech security system
    “Like upgrading from a basic key to a high-tech security system”
  • A seatbelt buckle clicking into its red housing, with the words Enhanced Protection set large over the frame
    The abstract claim, given a latch and a click

The on-screen type is where the film becomes Dell. One heavy bar sets the left margin and the phrase hangs off it, the same device on every card.

  • A bearded man working at a monitor in a dim room, with 15% boost set large over the frame and the subtitle end-users see a 15% boost in productivity
    The same bar, the same position, a different claim
  • A Dell laptop open on a glass table showing the Windows 11 start menu, subtitled especially when you upgrade your Dell hardware too
    The product, arriving only once the case is made

The sequencing decision: the Dell machine does not appear early. Lead with the reason, close with the thing you are selling.

05

The numbers

Three figures, spaced out on purpose

Three figures carry the middle of the script, each given its own card and its own beat. Stack them and the audience stops counting.

The claims the film has to carry
25%Faster deployment and management for IT teams · and fewer help desk tickets
15%Productivity boost for end users · attributed to Copilot
14%Lower energy use · reduced cooling, contributing to lower TCO

The first is for IT, the second for the people using the machines, the third for whoever signs the invoice. Three numbers, three different rooms.

06

Four languages

A metaphor has to survive translation too

A page can absorb a longer word by reflowing. A frame cannot. The type is locked to a timing and the voiceover to a cut.

Which is why the on-screen phrases are two or three words. The subtitles carry the full sentence, so only the subtitles have to stretch.

The closing card: white type on Dell blue reading It's time for an upgrade to Windows 11, with a short white rule beneath it
The end card · one line, four times over

07

Outcome

What I would point at

Race to Refresh

Dell hardware appears late and briefly. Everything before it is spent making the customer want to be somewhere they are not yet.

What I would do differently: lock the on-screen phrases against the longest of the four languages before the English edit is signed off. Two words in English can be five in German.

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